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Unit4AViewofMountainsJonathanSchellOnAugust9,1945,thedaytheatomicbombwasdroppedonNagasaki,YosukeYamahata,aphotographerservingintheJapanesearmy,wasdispatchedtothedestroyedcity.Thehundredorsopictureshetookthenextdayconstitutethefullestphotographicrecordofnucleardestructioninexistence.Hiroshima,destroyedthreedaysearlier,hadlargelyescapedthecamera’slensinthefirstdayafterthebombing.ItwasthereforelefttoYamahatatorecord,methodically-and,asithappens,withagreatandsimpleartistry–theeffectsonahumanpopulationofanuclearweapononlyhoursafterithadbeenused.SomeofYamahata’spicturesshowcorpsescharredinthepeculiarwayinwhichanuclearfireballcharsitsvictims.Theyhavebeenburnedbylight–technicallyspeaking,bythe“thermalpulse”-andtheirbodiesareoftenbrandedwiththepatternsoftheirclothes,whosecolorsabsorblightindifferentdegrees.Onephotographshowsahorsetwistedunderthecartithadbeenpulling.Anothershowsaheapofsomethingthatoncehadbeenahumanbeinghangingoveraledgeintoaditch.Athirdshowsagirlwhohassomehowsurvivedunwoundedstandingintheopenmouthofabombshelterandsmilinganunearthlysmile,shockinguswiththesightofordinarylife,whichotherwiseseemstohavebeenleftbehindforgoodinthesceneswearewitnessing.Stretchingintothedistanceonallsidesarefieldsofrubbledottedwithfires,and,inthebackground,aviewofmountains.Wecanseethemountainsbecausethecityisgone.Thatabsence,evenmorethanwreckage,containstheheartofthematter.Thetruemeasureoftheeventliesnotinwhatremainsbutinallthathasdisappeared.IttookafewsecondsfortheUnitedStatestodestroyNagasakiwiththeworld’ssecondatomicbomb,butittookfiftyyearsforYamahata’spicturesoftheeventtomakethejourneybackfromNagasakitotheUnitedStates.Theywereshownforthefirsttimeinthiscountryin1995,attheInternationalCenterforPhotographyinNewYork.Arrivingahalf-centurylate,theyarestillnews.Thephotographsdisplaythefateofasinglecity,buttheirmeaningisuniversal,since,inourageofnucleararms,whathappenedtoNagasakican,inaflash,happentoanycityintheworld.Inthephotographs,Nagasakicomesintoitsown.Nagasakihasalwaysbeen