此资料由网络收集而来，如有侵权请告知上传者立即删除。资料共分享，我们负责传递知识。PAGEPAGE4英语毕业论文的提纲范文论文提纲最起码要能清楚的显示您论文的研究内容以及研究思路。下面内容由小编为大家分享英语毕业论文的提纲范文，一起来看看吧！Introduction0.1SalmanRushdieandMidnight’sChildren0.2LiteratureReview0.3SignificanceoftheThesisChapterOneTheCarnivalRhetoricinMidnight’sChildren1.1CarnivalLanguage1.1.1LanguageofHeteroglossia1.1.2LinguisticDeviation1.2CarnivalRhetoricalDevices1.2.1TheUseofMetaphor1.2.2TheUseofSatire1.2.3TheUseofPun1.3Sum-upChapterTwoTheCarnivalCharactersinMidnight’sChildren2.1Women’sCarnivalesqueActs2.1.1Widow2.1.2Witch2.1.3UnfaithfulWives2.2Saleem’sCarnivalesqueActs2.2.1GrotesqueAppearanceandEccentricBehavior2.2.2TurningintoClown2.2.3CrowningandUncrowning2.3Sum-upChapterThreeIntertextualDialogueinMidnight’sChildren3.1IntertextualDialoguebetweenHistoryandtheText3.1.1NationalAllegory3.1.2FictionalizationofNationalHistory3.2IntertextualDialoguebetweenPretextsandtheText3.2.1BorrowingsfromWesternCulture3.2.2BorrowingsfromIndianCulture3.3IntertextualDialoguewithintheText3.3.1Palimpsest3.3.2Polyphony3.4Sum-upConclusionThisconclusionFocusingoncontemporaryformsofnarrative,Hutcheonarguesthatpostmodernistfictionembodiesseveralcarnivalesquestructures.Firstly,initsmetafictionalpreoccupationsanditstendencytoforegroundtheartificeofliteraryconstruction,contemporarynarrativeenactsacarnivalesquerebellionagainsttheofficialideologyofrealism（Hutcheon,1988:83-4）。Secondly,contemporaryfictionhassucceededinblurringthedistinctionbetweenhighandpopularculture,incorporating“comicbooks,Hollywoodmovies,popularsongs,andpornography”（Hutcheon,1988:87）。Thirdly,thereisatendencyforcontemporaryfictiontodrawonsexualanderoticimagery,andthustoappealtothematerialbodilyprincipleofthecarnivalesque.ForHutcheon,Bakhtin’snotionofthecarnivalesqueprovidesapotentmeansofcharacterizingpostmodernliterarytechniques.Bakhtin’scarnivaltheorythusfacilitatesanappropriatelensthroughwhichreaderscanexplorethepoliticalpotentialofpostmodernistartinthattheplayfulnessandconvivial